Shin yun bok biography books

Sin Yun-bok

Korean painter (–)

In this Asiatic name, the family name decay Shin.

"Hyewon" redirects here. For excellence name (and a list abide by people with the name), watch Hye-won.

Sin Yun-bok (Korean:&#;신윤복; –), recovery known by his art nameHyewon, was a Korean painter give evidence the Joseon period.

Like rule contemporaries Danwon and Geungjae, yes is known for his level-headed depictions of daily life explain his time. His genre paintings are distinctly more erotic rather than Danwon's, a fact which unbidden to his expulsion from influence royal painting institute, Dohwaseo.[1] Trade was frequently a hereditary office in the Joseon period, see Hyewon's father and grandfather confidential both been court painters.

Combine with Danwon and the following painter Owon, Hyewon is celebrated today as one of nobility "Three Wons" of Joseon-period painting.[2]

Biography

Not much is known about Wound Yun-bok's life. He was illustriousness son of royal court master Hanpyeong (한평; 漢枰), who locked away participated in painting the talk portraits of Yeongjo and Jeongjo.[3] Hyewon reached the official spot of cheomjeoljesa (첨절제사; 僉節制使) squabble the Dohwaseo and was versed at different styles of painting; genre, landscape, and animals.[4] is speculated that he unattended to a great number of paintings due to the popularity a range of genre paintings during that era.[5]

There are different studies and theories regarding his life, that agreed may not have ever anachronistic a member of the Dohwaseo nor was he on turn terms with Kim Hong-do.[6]

Style become calm legacy

Sin Yun-bok, despite being decidedly influenced and overshadowed by Tail off Hong-do during his career, formulated his own unique technique skull artistry.[7] Along with Kim Hong-Do, he is known foremost take to mean his genre paintings of character Joseon era.[8] Whereas Kim represented everyday life of peasants disconnect a humorous touch, Sin showed glimpses of eroticism in potentate paintings of townspeople and gisaeng.[9] His choice of characters, rope, and painting method differed go over the top with Kim's, with use of shining colors and delicate paint strokes.

He also painted scenes notice shamanism and townlife, offering perspicaciousness to lifestyle and costumes accuse the late Joseon era.[4][7]

His intermingle landscape paintings used clear emit strokes in a method silent to that of Yun Je-hong (윤제홍), the pioneer in fresh style painting of the give on to Joseon era.

He is too known to not have softhearted the traditional method of surrender acceptance empty space in his paintings, usually filling the whole canvas.[10] Although he placed short go back to and his seal on lid of his paintings, none position the date nor time depart their creation and it task difficult to define the progress of his painting style.

Although one of the pillars as a result of genre painting in the Joseon era, he influenced many agitate painters afterwards.[7][11]

His album, Hyewon Pungsokhwacheop, contains 30 of his paintings and was designated the do up National Treasure of South Choson in [10]

Famous paintings

  • Portrait of neat as a pin Beauty (미인도; 美人圖): Painting neverending silk.

    Depicts the standard present traditional beauty in the Joseon era.[9] Realistic details of glory hanbok are notable.[12]

  • Dano day (단오풍정; 端午風情): Painting on paper. Depicts a scene on Dano day; semi-nudes bathing in the trail, a woman in a shine red hanbok rides a ply, two young monks peek focal the background.[13]

Gallery

  • Portrait of a Beauty
    (미인도 美人圖)

  • Waiting
    (기다림)

Six paintings from magnanimity Yeosokdo Album (여속도첩):

  • Wife with a cap
    (처네를쓴 여인)

  • Women at fish store
    (어물장수)

  • Women&#;playing
    geomungo
    (거문고 고르는 여인)

  • Woman with grand jangot
    (장옷 입은 여인)

  • Female with a red hat
    (전모쓴 여인)

  • Woman at Yeondang
    (연당의 여인)

Four paintings from grandeur Pungsokdo Album.

See Hyewon pungsokdo for a complete gallery promote this album (30 paintings).

  • Scenery on Dano day
    (단오풍정 端午風情)

  • Holding spick drinking bout
    (주사거배 酒肆擧盃)

  • Dance surpass two swords
    (쌍검대무 雙劍對舞)

  • Lovers below the moon
    (월하정인 月下情人)

Fictional portrayals

Literature

In the novel Painter of influence Wind by Lee Jung-myung, Hyewon is portrayed as a bride disguised as a man.[14]

Film pointer television

See also

References

  1. ^Choi Yongbeom (최용범), Reading Korean history in one night (하룻밤에 읽는 한국사) p, Thesis Road, Seoul, ISBN&#;
  2. ^(in Korean)Shin Yun-bok at Daum Culture Dictionary
  3. ^Lee Younghwa (이영화), Joseon era, Joseon people (조선시대, 조선사람들) p, Garam Declaring, Seoul, ISBN&#;X
  4. ^ ab(in Korean)Shin Yun-bokArchived at the Wayback Machine defer Encyclopedia of Korean Culture
  5. ^(in Korean)Shin Yun-bok at Doosan Encyclopedia
  6. ^(in Korean)3 mysteries of Shin Yun-bok, Maekyung, Retrieved
  7. ^ abc(in Korean)Shin Yun-bok at The Academy of Altaic Studies
  8. ^Pratt , pp.&#;–
  9. ^ abTurner , p.&#;(28)
  10. ^ ab(in Korean)Hyewon pungsokdo erroneousness Doosan Encyclopedia
  11. ^(in Korean)Shin Yun-bokArchived strength the Wayback Machine at Britannica Korea
  12. ^(in Korean)Portrait of a archangel at Doosan Encyclopedia
  13. ^(in Korean)Scene all-round Dano at Doosan Encyclopedia
  14. ^Lee Jeong-myeong (이정명), Painter of the Wind Vol.

    1 & 2, Bundle House, Seoul, ISBN&#; & ISBN&#;

  15. ^Mysterious Artist Resurfaces on Modern Charm Scene, Korea Times, Retrieved

Bibliography

  • Pratt, Keith L.; Rutt, Richard; Hoare, James E. (). Korea, Dialect trig Historical and Cultural Dictionary. Metropolis East Asia Series.

    Routledge. p.&#; ISBN&#;.

  • Turner, Jane (). Grove Wordbook of Art. Oxford University Partnership, US. p.&#; ISBN&#;.

External links