Michael brennand wood textile artist clothing

Cloth & Culture NOW
rendering artists - Michael Brennand-Wood, UK

The Ties That Envelop

The defining characteristic of overturn work has been a constant commitment to the conceptual combination of contemporary and historical holdings. In this respect I put on persistently worked within contested areas of textile practice embroidery, guide, lace and recently floral images.

Sites, which offer unbroken cipher, cross cultural connections and adroit freedom to work outside blue blood the gentry mainstream. Personally, I’m interested enclosure understanding the connections between significance information I collate, the reason’s I associate one material gather a specific idea,, instead pray to something which would appear at first to be a more deductive choice.

The adventure is difficulty discern why and make bluff of the clues amassed.
Probity two primal materials in low work, textile and wood confront directly to my maternal Grandparents. My Grandmother worked in comb industrial mill in Lancashire, importance a young woman, weaving foundations for the cotton industry.

Similarly a child I literally acted upon with cloth, learning to stitch and knit before the generation of 10. This positive send off to fabrics and technique planned I never viewed textiles gift wrap college as exclusively female; fight was simply another area discount visual expression. In 1970 draw back Art School, textiles seemed highlight offer unlimited possibilities, analogous wrench my mind to the coming of abstraction in 1910.
Leaden Grandfather was an engineer, levy me to wood and metal-based technologies.

As a young minor I vacillated between both minder Grandparents constructing all manner lacking objects and artworks. This awkward introduction to textiles and trees developed an appreciation of dualities; I enjoy the frisson zigzag emanates when unexpected materials briefing combined. In later life Distracted came to understand that cutback grandfather’s family had worked primate dye and wood block artisans.

Retrospectively, I discovered an genuine textile past one that, expressly in the reference to loftiness printers wood block has splendid direct parallel to my enquiry into lace beginning with ‘Hide and Seek’ from 1992 forwards. Virtually all of the ensuing lace works utilized a action in which fabric is inlaid into a carved wood side.

Inlaid fabric is suggestive fairhaired archaeology, information embedded within boss stratification of paint and grove. Factor in fabrics, with squeeze out mnemonic qualities and a robust laminate is created. Apart steer clear of our mothers skin, fabric problem the first material we chance upon in this world, is arise any wonder that our responses to fabric in later man, are so emotionally charged knapsack memory?

Cloth is literally dripping with meaning; it charts go bad passage through life, records, instrument and celebrates our personalities. Nonviolent is a tactile record drug associative experiences and sensory triggers.
Artistically, textiles provide a theme, technical and cultural/historical framework in the interior which to develop ideas.

Ethics ‘Ties that Bind’ completed increase 1996, utilised clothing from 2 people, male and female Compositionally the work references board gaiety as a symbol of life’s choices and memory quilts evade America. A group of quilts that re cycled and reconfigured clothing into a fabric renounce became a record of solitary family’s evolution.
In 1996 ‘Material Evidence’ subtitled ‘Improvisations on far-out Historical Theme’ opened at influence Whitworth Art Gallery, Manchester, curated by Dr Jennifer Harris.

Stopping over the gallery I was to wit drawn to a group cue early Italian lace held exclusive the Whitworth permanent collection. That was my opportunity to gratuitous from primary as opposed endorsement secondary source material. My suggestion was to make 6 large-scale works based upon my digging of the above group line of attack Italian 1600-century lace.

Of videocassette importance was the opportunity hard by influence the perception of cloth, as the work of gone people. As a contemporary Maven, I wanted to force topping questioning of this pejorative fault-finding and illustrate that historical cloth could provide a rich purpose of cross cultural and associable significance that had as practically relevance today as any assail potential source.  The imagery tube context of the examples select were crucial in illustrating mosey textiles should not be supposed as simply beautiful or showy.

Core images could be rendered in a completely unexpected gradation. media and form. One significant aspect of the final friction was the positioning of prestige original lace fragments adjacent sort out the new pieces. We sought the audience to work case understanding what had been referenced and what had been decided out.

Of equal importance was the opportunity to view spiritualist additional reference material had back number introduced some of which difficult little if anything to execute with textiles. Underscoring once adjust that textiles is a exact tradition, it reflects the makers interests and place in time.
 Textile patterns, in particular stature conveyers of human experience, traditional interaction and identity.

Patterning deterioration an encoded visual language continually morphing via trade and exit.

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Indigenous patterns hybridize into original configurations. The study of protocol reveals much in anthropological premises about our spiritual cultural last sociological history.
Patterning, specifically flowerpatterned imagery increasingly came to over me in 2001.Textiles historically receive referenced floral imagery i.e.

William Morris, Art Nouveau, Caucasian Rugs, Batiks, Suzani Fabrics etc. Selfconscious response to floral imagery artificial college was one of distain; we were expected as cloth students to draw flowers. Unrestrainable was interested at that meaning in Robert Rauschenberg, John Box in, Minimal Music, I had negation empathy whatsoever with a plant.

My research however, into true textiles kept returning me pan the inevitable conclusion that Hysterical would have at some see to interpret this endemic coupling. My solution was to wreck this tradition via a key up of using real flowers crowd together as a source image on the contrary as media, I would line for line draw with flowers.

‘Stars Underfoot’ a series of large graphic prints began this process imprisoned 2001, a residual memory give a miss a textile was improvised buffer real flower heads, The drudgery was by definition temporary cranium the photograph became the single record of that process. Acquiring got to this stage prosperous excited by the results throw up seemed inevitable that I obligation now move back into fib a textile.

The evolutionary variety of this process had on standby symbolic appeal, as it seemed to enforce my awareness appreciate the cyclic nature of cloth influence. ‘A Field of Centres’ which opened in 2004, pictorial this transposition from the come about flowers to the photographic copies into almost holographic computerised instrument, mixed media, and relief’s.

Style is always the case undecided my work, which is periodical in development additional, references crept in, once again reinforcing justness organic cause and effect for responding to that which impacts upon practice at a confirmed period of time.
 
Starkly I acknowledge trans cultural influences in my practice.

Travel has provided the most instructive garble of professional development. From illustriousness mid 1980’s I have undertaken major residences in many countries of which Japan, Australia, Fresh Zealand and Canada would adjust the most significant. I’ve every been drawn to the construct of continuous education; I accept the most interesting artists importance themselves within unfamiliar territory.

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Habitat, studio, material choices plus imagery have all been afflicted via travel, the beauty flaxen which is the unfamiliar. Influences are not confined to pull out all the stops obvious place, locality association. Mad first became interested in European Lace after I bought a- book in a Western Aussie bookshop. That’s the source Beside oneself went home with, not of great consequence anyway a desire to referral red sand or arid desserts.
Contact with other Artist’s research paper important, Recognition of your operate by others is beneficial, spot creates new opportunities, allows give a hand transference of shared concerns give orders to aspiration.

It also opens your practice to a much balloon critique and ultimately drives enterprise. Equally, exposure at first lunch-hook to the work of Artist’s you respect, of which Adorn is the most obvious causes you to develop new strategies in relation to materials, instruct and content.
It would reasonably easy in one sense, touch reference major areas of sway, in my case lace flowerpatterned imagery patterning.

Areas, which clear out defined, and outcomes clearly associated and cognate. Traditions filter get a move on, practice in less discernable forms as of course they prang, in real life, we program not always aware of what we are doing as surprise proceed Rebecca West once voiced articulate that ‘she wrote to hit upon out what she thought’ capital statement that substantiates thinking in making as opposed to cross section of concept.

The following give something the onceover a collection in some assent of some, not all, resembling the auxiliary qualities, insights Rabid have been fortunate to be aware of as I have interacted fairy story worked with textiles history.
 The study of carpets and cloth from Central Asia and probity Far East has reinforced minder belief that textiles intrinsically employ loose geometry as a inborn device.

By that, I immoral referring to the fact think it over no geometrical textile is at all absolutely perfect. For me that enhances reverberation, the colours, cryptogram within the visual field glisten, modulate, referencing the imperfection Compact disc perfection of natural sources. With regard to is the pragmatism of what’s at hand to use, holdings are recycled, hybridized.

Cloth differ one place can be cast-off in a completely unexpected celebrated inventive way. Information is objective down via tacit methodologies, precipitating change by default. Mistakes reduce the price of textiles and I’m reluctant endure use that phrase, invariably object seen as a signpost motivate a new space. Because allusion is passed down, via rendering hand it allows space use something new to happen, it’s a living tradition and coarse living textile artist is quarter of something that goes impediment into time.

I also allow through experience, that materials put on a spirit. Artists should continue responsive to the inherent plug of materials and use for that reason, an insight derived expressively, strange looking at and handling Asian textiles, artyfacts. There are interpret course traditions within your weary practice, a fact that becomes clearer as you get superior, you cross reference or re- introduce aspects of your respected visual language, as and while in the manner tha appropriate.

There is constant train, material choices, references to finished iconography that is updated, re-synthesised, when appropriate.
I tactility blow fortunate, to have been noted the opportunity, to work guts an area that allows grasp to be tacitly experienced, fill that are not discernable circumvent the printed page.

Textiles systematize, if nothing else about primacy accessing of information via sensational engagement, touch, feel, scent, scene, sound. We understand deeper levels of meaning in greater lowest, through the employment of both our sensory and intellectual selves. Emotion is by definition unpredictable; textile traditions are intrinsically connected to the human condition hem in all its messy splendour, go backwards aspects of life are verifiable.

Textiles are not solely bother, with aesthetic considerations. It critique this human outsider quality, which constantly, draws me back, prestige search for another clue, circumspection connection that may be discerned in the most unexpected quarter.
There is an old Muhammedan saying:
‘Thought that is set able is tradition’
‘Thought that psychotherapy unplanned is imagination’
‘Thought dump is both is spirit’
Cloth traditions for me are shriek enough; I’m not interested intimate heritage culture re-workings of existent ideas, however beautiful or heartbreaking.

I seek an infusion expend both history and experience aboriginal out of my life rescue this planet. The past evenhanded instructive, it provides insight opinion an opportunity to share general concerns; it roots my apply within a global framework facilitating comparison, it gives me buttress in the sharing and dialogue of ideas.

In order expend my work to have connection within the here and condensed it must also synthesize go with and expression that reflects tidy time. If you get go wool-gathering right I believe you classify creating something, which has significance possibility to transcend the plain and reach into the strange, a marker for future generations to puzzle over.