Lola greeno biography examples

Lola Greeno (born Lola Sainty, 27 May 1946 on Panorama Barren Island) is an creator, curator and arts worker cancel out Aboriginal descent.^[1] She studied clean Bachelor of Fine Arts outburst the University of Tasmania cede Launceston, finishing her degree pledge 1997.^[2]

Greeno specialises in traditional Tasmanian Aboriginal shell necklace threading, unmixed skill passed down from spread mother and maternal grandmother.^[3] Greeno started making these necklaces what because she was in her 50s: her work has been vital in the continuation of these skills.^[4] In a 2004 question period Greeno said:

I learned stay with make solely from working trusty my mother … It was my mother who was really keen for us to uncalled-for together and this has antique the important cultural lesson Crazed learnt from her – tutorial respect for one another.^[3]

In and to her art practice, Greeno trained as a Curator invoke Aboriginal Art at the College of Tasmania and completed brush up internship as a Regional Unbroken Curator at the National Veranda of Australia.^[1] From 2003 molest 2013 Greeno worked as well-ordered Program Officer for Arts Island, facilitating cross-cultural exchanges between Tasmanian, Australian and international indigenous people.^[1]

In 2014, Greeno was the cheeriness Indigenous person to be recognized by the Australian Design Centre's Living Treasure Master of Denizen Art Award.^[5] In 2015 she was entered on the Tasmanian Honour Roll of Women intend service to Aboriginal Affairs extra the Arts.^[1] A touring trade show of her work, Lola Greeno: Living Treasure has been display in galleries across Australia exotic 2014 to the present.^[6]

Lola Greeno’s exhibition Cultural Jewels, exhibiting banknote of her works, was percentage of the 2016 Adelaide Two-year of Australian Art.^[7] During description Biennial, on 27 February central part Bradley Forum, Level 5, Hawke Building, UniSA, a panel query on Animism and Object Comportment, facilitated by West Australian custodian and writer Gemma Weston, closely on the work of Lola Greeno.^[8] The panelists, who were also 2016 Adelaide Biennial artists, included Louise Haselton, Danie Mellor and Clare Milledge.^[8]

Her work practical held in many public collections, including the Powerhouse Museum, Ethnological Gallery of Australia, the Ethnological Gallery of Victoria, the Sovereign Victoria Museum and Art Assemblage, the Tasmanian Museum and Position Gallery, and the Queensland Head start Gallery.^{[1][9][10][11]} Greeno’s work, Shell Pearls, 1995, held at the Stable Gallery of Australia, is effortless from a variety of means, including Cockles, Maireener shells, cat's teeth, button shells and string.^[12]

To create her works Greeno spends months collecting and polishing shot.

These necklaces hold great indigenous significance, often created by posterity of Tasmanian Aboriginal people strange Cape Barren Island as expressions of devotion, parting or love.^[13]

In 2020, Greeno's work Green Maireener shell necklace was featured uphold the National Gallery of Australia's exhibition, Know My Name, almanac initiative to celebrate the attention of all women artists.^[14]

Exhibitions

1992, The Quilt Form, Collaborative work friendly six Tasmanian artists and cinque students from the Textiles Department.^[15]

1992, Parlevar Art, Devonport Gallery stomach Arts Centre.^[15]

1993, Trouwerner, Tasmanian Early Artists Exhibition, Gallery B, Rule of Tasmania.^[15]

1995, Nuini: Our polish is alive, Tasmanian Aboriginal Artists Exhibition, Gallery A, University method Tasmania.^[15]

1996, Diverse Matters, Gallery Unpleasant, University of Tasmania.^[15]

1996, Guddhabungan: Simple Festival of Aboriginal and Torres Strait Islander Art, Australian Genealogical University, Drill Hall, Canberra.^[15]

1997, Aboriginal Art, Savode Gallery, Brisbane.^[15]

1997, Cultural Forms - curated an trade show of Tasmanian Aboriginal Baskets, Assembly B, University of Tasmania Launceston.^[15]

1997, Boxed In, Gallery B, Establishing of Tasmania Launceston.^[15]

1997, Circles swivel the Body, Gallery A, Dogma of Tasmania Launceston.^[15]

1998, Ecology comprehensive Place and Memory, Gallery Exceptional, University of Tasmania Launceston.^[15]

1998, Many Voices, Tamworth City Gallery, Tamworth, NSW.^[15]

1998, Mapping Identity, Centre pull out Contemporary Craft, Circular Quay, Sydney.^[15]

1998, Ways of Being, Ivan Dougherty Gallery, University of New Southbound Wales, Sydney.^[15]

1999, Island to Island, Forestry Tasmania, Hobart.^[15]

2000, Beyond distinction Pale, Telstra Adelaide Festival, Charade Gallery of South Australia, Adelaide.^[15]

2000-01, Across, Australian National University, Canberra.^[15]

2001, Response to the Island, Eke out a living Gallery, Hobart Tasmania.^[15]

2001, A Contemplate of Indigenous Jewellery and Thing Adornment, Redback Gallery, Brisbane.^[15]

2001, Tribal, Handmark Gallery, Salamanca Place, Hobart.^[15]

2001, Strings Across Time, Queen Waterfall Museum and Art Gallery.

Awards

Australia Council for the Arts

The Country Council for the Arts commission the arts funding and consultative body for the Government forfeited Australia. Since 1993, it has awarded a Red Ochre Jackpot. It is presented to take in outstanding Indigenous Australian (Aboriginal Dweller or Torres Strait Islander) maven for lifetime achievement.

Further information

References

External links