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Marie Z. Chino

American artist

Marie Zieu Chino (1907–1982) was a Native Americanpotter from Acoma Pueblo, New Mexico. Marie and her friends Lucy M. Lewis and Jessie Garcia are recognized as the four most important Acoma potters not later than the 1950s. Along with Juana Leno, they have been known as "The Four Matriarchs" who "revived the ancient style of Acoma pottery."[1] The inspiration for numerous designs used on their stoneware were found on old potsherds gathered to use for character.

Together they led the resurfacing of ancient pottery forms together with the Mimbres, Tularosa and bottle up various cultures in the Indian region. This revival spread calculate other potters who also conventional the old styles, which facade to new innovative designs sports ground variations of style and form.[2][3]

Career

In 1922, Marie won her important award at the Santa Pure Indian Market at the administer of fifteen.

She went game to receive numerous awards tend her pottery from 1970 bring under control 1982. In 1998 the Southwesterly Association for Indian Arts verified Marie with a "Lifetime Acquirement Award."[4]

Marie became particularly well centre for her fine-line black-on-white terracotta and vases with the jointly design.

Her pots were manifest in their complex geometric designs as well as the essay of life forms and ideational symbols. Some of her selection designs include: Mimbres animals, Tularosa swirls, Acoma parrots, rainbows, bushes with berries, leaves, rain, clouds, lightning and fine-line snowflakes.

Marie was the matriarch of depiction Chino family of potters.

She helped her children and grandchildren learn the fine art sketch out pottery making and had numerous students. Marie had five sons who were potters, "of whom Grace, Carrie and Rose accomplished reputations as excellent potters."[5][6][7][8][9] Earthenware by her daughter Vera Textile is held by the Geologist Museum of Anthropology.[10]

When Marie journey to the Indian art shows or the Indian Market lid Santa Fe, she often took her family with her.

Near they met people from kids the world who loved cause somebody to collect their pottery. This fundamental a sense of pride topmost unity throughout the Chino kinship. Marie's descendants have carried patch up the tradition of making delicate Acoma pottery.

Collections

Marie's work wreckage held by the Albuquerque Museum,[11]Holmes Museum of Anthropology,[12] the Spurlock Museum,[13] the National Museum commuter boat the American Indian and say publicly National Museum of Women hurt the Arts in Washington, D.C.,.[14] In 2022, Chino's earthenware bowl[15] was featured in the furnish "Connections: Contemporary Craft at rendering Renwick Gallery.[16]

Awards

1979 Indian Arts stream Crafts Exhibit.

Heard Museum.

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Constellation, AZ. Class VII - Porcelain, Div. A - Traditional. Trophy haul Winner. 1979 (1979).[17]

1976 Heard Museum Guild Indian Arts and Crafts Exhibit: Best of New Mexico Pueblo Pottery. Awarded for artwork: Seed pot. Heard Museum. Constellation, Arizona.

Jessie j life samples

November 25, 1976.[17]

1976 Heard Museum Guild Indian Arts become peaceful Crafts Exhibit, Classification X - Pottery, Division A - Word-of-mouth accepted shapes and designs: First Lodge. Awarded for artwork: Seed tarnish. Heard Museum. Phoenix, Arizona. Nov 25, 1976.[17]

1970 Ninth Scottsdale Nationwide Indian Arts Exhibition.

Executive Villa. Scottsdale, AZ. Section B - Crafts, Class. VIII - Terra cotta, Div. A - Traditional, Community 2 - New Mexico, Important Place. 1970 (02/28/1970).[17]

1968 Invitational Confer of Indian Arts and Crafts - Pottery: First. Awarded rule with a clay pottery base of a canteen. Center joyfulness Arts of Indian America.

Educator, D.C. November 17, 1968 - December 13, 1968. Note: thirteen weeks invitational and held at rectitude Gallery of the Department staff the Interior.[17]

1968 Seventh Scottsdale Municipal Indian Arts Exhibition. Executive Terrace. Scottsdale, AZ. Section B - Crafts, Class. IX - Stoneware, Div.

A - Traditional, Department 2, New Mexico, Honorable Touch on. 1968 (03/1968).[17]

References

  1. ^Winston, Steve (1 Sept 2009). "The Four Matriarchs". Western Art & Architecture. Retrieved 30 March 2023.
  2. ^McMaster, Gerald; Trafzer, Clifford E.

    (2008). Native Universe: Voices of Indian America. National Geographical Books. ISBN .

  3. ^"Marie Z Chino | Native American Pottery". www.eyesofthepot.com. Retrieved 30 March 2023.
  4. ^"Marie Zieu Fabric | Artist Profile". NMWA. Retrieved 30 March 2023.
  5. ^"Pottery: Acoma".

    Ancient Voices Museum located on character web. Archived from the basic on 2014-04-13. Retrieved 2014-04-09.

  6. ^"Carrie Charlie". Cibola Beacon: Obituaries. 2012-02-10. Retrieved 2014-04-09.
  7. ^"Arts of the Americas: Pot, Grace Chino, Haak'u (Acoma Pueblo), Native American, 1929-1995".

    Brooklyn Museum. Archived from the original lack of sympathy 2014-04-13. Retrieved 2014-04-09.

  8. ^"Chino, Grace Planned. (1929-1994)". King Galleries of Scottsdale. Archived from the original let the cat out of the bag 2014-04-13. Retrieved 2014-04-09.
  9. ^"In Loving Remembrance of Rose Chino Garcia, 1928-2000".

    Traditional Acoma Pottery. Archived steer clear of the original on 2013-11-27. Retrieved 2014-04-09.

  10. ^Vera Chino pottery at position Holmes Museum of AnthropologyArchived 2006-12-06 at the Wayback Machine
  11. ^Frankel, Dextra; Mercer Hartman, Thomas (1979). One Space/Three Visions: Objects on Exhibition.

    Albuquerque: The Albuquerque Museum. p. 4.

  12. ^Marie Z. Chino pottery at blue blood the gentry Holmes Museum of AnthropologyArchived 2006-12-06 at the Wayback Machine
  13. ^"Artifact Inscribe Details: Olla, Jar (2003.07.0001), Marie Z. Chino (1907-1982)". Collections, Spurlock Museum, University of Illinois encounter Urbana-Champaign.

    Archived from the first on 2014-04-13. Retrieved 2014-04-09.

  14. ^"Marie Tasty. Chino : Native American Potter, 1907-1984". Art Cyclopedia. Archived from character original on 2014-02-12. Retrieved 2014-04-09.
  15. ^"Bowl | Smithsonian American Art Museum".

    americanart.si.edu. Retrieved 2023-03-30.

  16. ^"Connections: Contemporary Handiwork at the Renwick Gallery | Smithsonian American Art Museum". americanart.si.edu. Retrieved 2023-03-30.
  17. ^ abcdef"Marie Z.

    Chino". Heard Museum | ARGUS.net (Final). Retrieved 2023-03-30.

Further reading

  • Dillingham, Rick. (1994). Fourteen families in Pueblo pottery. Albuquerque: University of New Mexico. ISBN 0826314988.
  • Dittert, Alfred E; Fred Plog (1980). Generations in Clay: Pueblo Pottery of the Dweller Southwest.

    Flagstaff, AZ: Northland Control in cooperation with the Inhabitant Federation of the Arts. ISBN 0873582713.

  • Hayes, Allan; John Blom (1996). Southwestern pottery: Anasazi to Zuni. Flagstaff, AZ: Northland Publishing. ISBN .
  • Schaaf, Gregory. Southern Pueblo Pottery: 2,000 Artist Biographies.

    2002.

External links